In the early nineteen eighties, Detroit techno DJ Eddie Fowlkes formed a linked design called electro-soul, which was characterised by a predominant bass line along with a chopped up electro breakbeat contrasted with soulful male vocals.[33] Kurtis Mantronik's electro-soul productions for Joyce Sims presaged new jack swing's combination of hip hop

^ Fikentscher (2000), p. five, in speaking about the definition of underground dance songs since it relates to submit-disco new music in America, states that: "The prefix 'underground' will not basically provide to elucidate the connected form of audio—and its cultural context—are common only to a little quantity of informed individuals. Under